Abstract:Based on Afro-American tradition of quilt-making, feminists favored the tropology of "quilting" as a way to piece together the differences caused by the problematics of race, class, nation and sexual orientations within feminism since the 1990s. This paper examines the repercussions and reflections of this tropology of women's textile work in the construction of American feminist literary critical discourse in the 21st century.
王楠. “缝被”的文化隐喻与美国女性主义文学传统的建构*[J]. 妇女研究论丛, 2012, 0(6): 70-75.
WANG Nan. Cultural Implications of "Making Patchwork Quilts" and the American Feminist Literary Tradition. , 2012, 0(6): 70-75.
[1]Showalter, Elaine. Piecing and Writing[A]. The Poetics of Gender[C]. ed. Nancy K. Miller. New York: Columbia University Press. 1986. [2]Showalter, Elaine. Sisters' Choice: Tradition and Change in American Women’s Writing[M]. Oxford: Oxford University Press, 1989. [3]Freeman, Mary Eleanor Wilkins. A Quilting Bee in Our Village[A]. Quilt Stories[C]. ed. Cecilia Macheski. Lexington: The University Press of Kentucky, 1994. [4]Hedges, Elaine. The Needle or Pen: The Literary Rediscovery of Women’s Textile Work[A]. Tradition and the Talents of Women[C]. ed. Florence Howe. Urbana and Chicago: University of Illinois Press. 1991. [5]Macheski, Cecilia. Quilt Stories[C]. Lexington: The University Press of Kentucky, 1994. [6]Woolf, Virginia. A Room of One’s Own[M]. Adelaide: The University of Adelaide Library. 2009. http://ebooks.adelaide.edu.au/w/woolf/virginia/w91r/. [7] Mainardi, Patricia. Quilt: the Great American Art[A]. in The Contemporary Quilt : New American Quilts and Fabric Art[C]. ed. Pattie Chase, with Mimi Dolbier. New York:Dutton, 1978. [8]Chase, Pattie. The Quilt as an Art Form in New England[A]. in Pilgrims and Pioneers: New England Women in the Arts[C]. New York: Middlemarch Arts, 1987.