Abstract：Wang Hanlun is "the first female film star in China's history of films." This paper examines the process of modernization of gender in which women gain sense of themselves through their visual images based on the life of Wang Hanlun's film life career. This life is just like what she portrayed in The Abandoned Wife, in which she expressed her own female worldviews. However, her individual efforts appeared to have trivial influence in the negotiation between film images and social roles. The contemporary sexual power eventually dominated the sexual portrait in arts and sexual identity in society.
王青亦. 性别现代化：王汉伦的电影表演与性别协商[J]. 妇女研究论丛, 2012, 0(5): 63-68.
WANG Qing-yi. Modern Expressions of Gender: Wang Hanlun's Film Acting and Negotiation of Sex. , 2012, 0(5): 63-68.
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2012, Vol. 0 
