Abstract:In the world of art, women are often models, muse, wives and mothers, but not artists and geniuses. In the Alias Olympia, Eunice Lipton reviewed the life and artistic experience of Victorine Meurent, who was a model employed by Edouard Manet in his famous painting Olympia and was also a paintress at the same time. Eunice found the record of Meurent in art history inaccurate and thus tried to address the inaccuracy through researching the actual life of Meurent. In between she answered the question of why there is no great female artist in the art history. The obvious intent to establish a female character as the subject of inquiry reflects the effort of a feminist who is trying to rewrite the art history.