Abstract：In early Qin, women's voice gained a chance to enter into public discourse as displayed by parts of the Book of Songs. However, when poets later in the Spring and Autumn Period and Han Dynasty obtained the control of public discourse through the use of poems overlooked women's voice. They consciously adopted men's politicized interpretation strategy ultimately reflected in the MaoShiXu, which completely eliminated women's voice in the Book of Songs. From then on, the Book of Songs and other earlier works became materials for men's discussions only, indicating the completed process of men's domination in transition from political and economic areas to public discourses.
张瑞. 论《诗经·国风》中女性声音在先秦至汉代阐释中的变迁*[J]. 妇女研究论丛, 2014, 0(1): 67-71.
ZHANG Rui. Women's Voice in the Book of Songs and Changes in Early Qin and Han Dynasty. , 2014, 0(1): 67-71.
2014, Vol. 0 
