|
|
|
| Modern Expressions of Gender: Wang Hanlun's Film Acting and Negotiation of Sex |
| WANG Qing-yi |
| College of Cultural Development at the Communication University of China, Beijing 100024, China |
|
|
|
|
Abstract Wang Hanlun is "the first female film star in China's history of films." This paper examines the process of modernization of gender in which women gain sense of themselves through their visual images based on the life of Wang Hanlun's film life career. This life is just like what she portrayed in The Abandoned Wife, in which she expressed her own female worldviews. However, her individual efforts appeared to have trivial influence in the negotiation between film images and social roles. The contemporary sexual power eventually dominated the sexual portrait in arts and sexual identity in society.
|
|
|
|
|
|
|
|
[1]Michael G. Chang. The Good, the Bad, and the Beautiful: Movie Actresses and Public Discourse in Shanghai, 1920-1930s[A]. in Zhang Yingjin, (eds.) Cinema and Urban Culture in Shanghai, 1922-1943[C]. Stanford: Stanford University Press, 1999, pp.135-136; 王汉伦.我的从影经过[A].王汉伦等著.感慨话当年[C].北京:中国电影出版社,1962.
[2]Michael G. Chang. The Good, the Bad, and the Beautiful: Movie Actresses and Public Discourse in Shanghai, 1920-1930s[A]. in Zhang Yingjin (eds.). Cinema and Urban Culture in Shanghai, 1922-1943[C]. Stanford: Stanford University Press, 1999.
[3]李道新.民国报纸与中国早期电影的历史叙述[J].当代电影,2005,(6).
[4]张英进,秦立彦译.中国现代文学与电影中的城市[M].南京:江苏人民出版社,2007.
[5]周慧玲.表演中国：女明星，表演文化，视觉政治，1910-1945[M].台北:麦田出版社,2004.
[6]李欧梵,毛尖译.上海摩登——一种新都市文化在中国1930-1945[M].北京:北京大学出版社,2001.
[7]张石川.自我导演以来(续)[J].明星半月刊,1935,1(5).
[8]王汉伦.我的从影经过[A].王汉伦等著.感慨话当年[C].北京:中国电影出版社,1962.
[9]孙绍谊.想象的城市——文学、电影和视觉上海(1927-1937)[M].上海:复旦大学出版社,2009. |
|
|
|
2012, Vol. 0 
