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| Portraits of Female Body in the Chinese Literature in 1950-1970 |
| LIU Chuan-xia1,JIANG Kai-xuan2 |
| 1.2.College of Liberal Arts at the Ji'nan University, Ji'nan 250022, Shandong Province, China |
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Abstract The women’s liberation movement in Mainland China since 1949 had expanded the depth and width of women’s participation in social production. As well, the appearance of “Iron Girl” images as women’s heroines changed the evaluation of women’s capability in society and broke the fixed gender based image of women being weak and helpless. At certain level, it challenged the tradition of gender based division of labor as “men managing outside while women managing inside the households” as well as its cultural values and helped win rights for women to participate in social and public processes. It, moreover, helped change the traditional standards of evaluating women and undermine the traditional female stereotypes. However, the existence of women heroines without female characteristics and female negative characters with distinct female characteristic facial profiles in literary writings again created a dichotomy and inequality in the mythical construction of gender order.
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2012, Vol. 0 
